Only those who love color can appreciate the beauty of color and its inner essence. The color will fully display her unique charm to everyone. For the form of  Large Abstract Paintings color, if the lack of visual accuracy and emotional power of symbolism, it will only flow into a poor form; lack of symbolic authenticity and emotional power of visual impression effect can only be ordinary, imitative naturalism; and lack of structural symbolic content or visual power of emotional effect can only be limited to the emotional expression of the surface. Each artist will find the form and function of color according to his own Great Big Canvas Art oil painting language, so as to better reflect the theme.


When we talk about color has become expressive, it has formed its own color system. Since the Renaissance, Michelangelo, Raphael and other painters have used sketches to shape objects, and then covered with some inherent colors. From the Romantic painter Delacroix to the Impressionist painter, they created a new way of color.

New Impressionist painters turned gamut into dots. They believe that blended pigments can destroy the power of color. These pure color ideas will only blend in the eyes of the viewer. From the perspective of Impressionism, Cezanne made the development of color form reach a logical stage. His task is to make impressionism form something "substantial". His works are created according to the principle of shape and shading. In addition to doing something about rhythm and shape, he also abandoned the color-splitting skills of the color-splitting school and re-used the continuous gamut of internal adjustment. To this end, changing a color means changing the relationship between its warmth, brightness or blur and intensity, so as to achieve a new vivid harmony in the adjustment and conversion of the whole picture gamut. In Cezanne's still life Extra Large Contemporary Wall Art, this new harmony is very obvious. He wanted to shape natural objects to a higher level. To do better, he used a subtle musical contrast between warm and cold.

Matisse resists color transfer and regains a subjective balance to represent a simple, luminous gamut. He is one of the representatives of the Fauvism.

Cubist painters, including Picasso, Braque and others, use color to change their shades. First of all, they are interested in body. They decompose the shape of an objective object into abstract geometric shapes and use the shades of tones to achieve relief-like effects.

Expressionist painters like Munch try to restore spiritual content to their Big Modern & Contemporary Canvas Art . Their creative purpose is to use the form and means of color to express their inner spiritual experience.
Kandinsky believes that each color has its own proper performance function, so it is possible to create meaningful reality without drawing objects.

Color can express the essence of things through the enlightenment of the soul and the gestation of materials, and at the same time make emotions fierce impulse. Only after careful arrangement and in line with the artist's strong emotional color, it is the color of vitality.So the artist's talent can make insignificant subjects noble and precious. In fact, color is only a hint, so that they can induce the audience to possess things by hallucination. In this norm, the artist uses hints and hints to create his works to impress the audience's mind.

Color is power. It is the radiation energy that affects us positively or negatively, whether we perceive it or not. The effect of color should be understood not only visually, but also psychologically and symbolically.

                                                         The Position of Texture in Oil Painting Plastic Art

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Texture belongs to artistic language, and artistic language has its own aesthetic value. However, this aesthetic value must be aimed at expressing artistic content. The criterion is whether an artistic language has value or not. As an artistic language, texture Extra Large Modern Canvas Art has its own characteristics. For example, in French neoclassical Modern Wall Art paintings of the 19th century, texture can hardly be seen in the picture, and this is true. It meets the requirements of the quiet and solemn subject matter of neoclassicism; for example, in Impressionist works, bold brushwork reflects the pursuit of natural learning; and in the abstract expressionist, texture Large Modern Wall Art research has become almost the whole content of its expression. Therefore, according to the choice of artistic content, the use of texture is also different.

canvas paintings for sales-Shura was the earliest new artist born in the scientific revolution -- artist and scientist.
Combine the classical structure of Renaissance tradition with the color experiment of impressionism.
It combines the latest concepts of painting space,Great Big Canvas  traditional illusory perspective space, and the latest scientific discoveries in the perception of color and
It has a great influence on 20th century geometric abstract art.
Shura lived in the early days of impressionism and promoted the development of impressionism.
His special study of color made his works distinct,Black and White Wall Art and he himself became the representative of neo-impressionism -- pointillism.
George seurat, who died in Paris, attended a sketch school in Paris, then two years at the ecole superieure des beaux arts in Paris, and one year of voluntary service in Brest.
Later, he continued to study ancient Greek sculpture and the achievements of ancient masters of painting in the Louvre museum, from veloraise and Angle to delacroix. He also immersed himself in the scientific materials on color discussed
by blanc and schaeffler.
Blanc's assertion: "subject to certain laws of color, can be taught as music."Convince him.
He reflected on schaeffler's law: "when people's eyes see objects with different colors at the same time,Contemporary Canvas their changes in physical composition and
tonal brightness are all included in the simultaneous contrast of colors".
Seurat focuses some of the black blocks on the screen, leaving some of the white areas to take on a distinct shape.HAND-PAINTED LARGE ACRYLIC PAINTING

By achieving a perfect balance of gradation changes and black and white contrast, unexpected scenes are presented before our eyes.
He captures light and color, revives them in black and white, creates shadows that are conducive to shape, light is full of mystery, and transitional gray reveals a world of strong vitality.
Harmonious curves restrict and balance each other, and various shapes emerge, giving off distinct colors of light.
After sinek invited seurat to impressionism and showed him the superiority of pure color, they piled up dots on the canvas that matched the interaction of environment, sunshine and color.
In order to better balance these factors and make them permeate each other to a small degree of difference, they used the method of dotting not on the palette but with dots and pure color points.
At a distance, the myriad dots appear to create the desired toning effect on the retina.
From then on, the law of contrast, the dot-color method, the pure color and the optical toning method became the main components of huila art.
It took seurat two years to make "Sunday afternoon in the big bowl island", a masterpiece.
Every morning he went to the seaside to paint, and in the afternoon he went back to his studio to study composition and color.
In order to obtain accurate and realistic realistic effects, he also conducted in-depth research on popular clothing and hairstyles at that time.
For example, in order to truly show the foreground of the picture, a woman supported by a whale bone raised her skirt. He once bought the same kind of material object and took it apart for observation. He made a lot of black and white
sketches and notes.
According to statistics, in order to create a painting named "Sunday afternoon of big bowl island", xiula made 400 sketches and color renderings.
In the picture, there are 40 characters, each of which is a summary of the painter after a lot of training.
They seem to have nothing to do with each other are placed together, but the picture is filled with a quiet and elegant beauty of order.
This is the first masterpiece of seurat, who established the technique of "point painting".
The work depicts people enjoying bathing in the Seine river in the arniel region west of Paris.
At the age of 25, seurat explored a new technique -- dotting, which juxtaposed several raw materials, but not directly on the palette. Instead, it used the basis points of various colors converted by human intuition through the brain to
present a certain color in the eyes of viewers.
Although this technique of dotting has not yet been established in this painting, it can be regarded as a historical work of the so-called impressionist manifesto.

1 the sketch:
The preparation of the sketch is the key to creation.Large Canvas Art The clarity and maturity of the sketch is the concentrated reflection of the author's thoughts and feelings, comprehensive expression power and composition ability. The sketch must determine the basic expression and the concreteness of the image of the painting.

2. Painting canvas:
I usually make the sketch bigger and bigger to obtain the accuracy and affirmation I want.Large Canvas Art Cheap After the sketch is enlarged on the manuscript, I will make some necessary modifications and further detailed enrichment. I hope that I have shown a clear expression in the manuscript stage.

3 color:
I pay more attention to the immediacy of my expression. When I say that I pay more attention to the first feeling, I will choose the part that I think plays a key role. In this way, the first color often determines the whole color expression of the work.
The face of the figure is undoubtedly the most important. I asked myself to paint some parts of it when I felt the best.
The strength of the color and the thickness of the color layer sometimes appear unexpected effects, which is just the natural reflection of the painting imagination. Therefore, it is very important to have good control and confirmation in my work methods.
Generally speaking, my drawing method at this stage is not very regular, only a few relevant parts are drawn at the same time, some parts need to be drawn repeatedly.

4 overall adjustment:
This stage is critical.
Need more patience, this stage is not easy as the last stage is pleasure, that is the feeling of stage, the more excited, but this stage on the one hand, make up some weak part of the picture, the other side is trying to make every part of the picture full of expression and appeal, sometimes also can appear very exciting at this stage the board surface, this is what I want.

Generally speaking, my expression is to adapt to my strong intuition.Large Canvas Art Sale I believe that different expressions are created by different artistic temperament, and I will be happy if they are helpful to my friends.