Only those who love color can appreciate the beauty of color and its inner essence. The color will fully display her unique charm to everyone. For the form of  Large Abstract Paintings color, if the lack of visual accuracy and emotional power of symbolism, it will only flow into a poor form; lack of symbolic authenticity and emotional power of visual impression effect can only be ordinary, imitative naturalism; and lack of structural symbolic content or visual power of emotional effect can only be limited to the emotional expression of the surface. Each artist will find the form and function of color according to his own Great Big Canvas Art oil painting language, so as to better reflect the theme.


When we talk about color has become expressive, it has formed its own color system. Since the Renaissance, Michelangelo, Raphael and other painters have used sketches to shape objects, and then covered with some inherent colors. From the Romantic painter Delacroix to the Impressionist painter, they created a new way of color.

New Impressionist painters turned gamut into dots. They believe that blended pigments can destroy the power of color. These pure color ideas will only blend in the eyes of the viewer. From the perspective of Impressionism, Cezanne made the development of color form reach a logical stage. His task is to make impressionism form something "substantial". His works are created according to the principle of shape and shading. In addition to doing something about rhythm and shape, he also abandoned the color-splitting skills of the color-splitting school and re-used the continuous gamut of internal adjustment. To this end, changing a color means changing the relationship between its warmth, brightness or blur and intensity, so as to achieve a new vivid harmony in the adjustment and conversion of the whole picture gamut. In Cezanne's still life Extra Large Contemporary Wall Art, this new harmony is very obvious. He wanted to shape natural objects to a higher level. To do better, he used a subtle musical contrast between warm and cold.

Matisse resists color transfer and regains a subjective balance to represent a simple, luminous gamut. He is one of the representatives of the Fauvism.

Cubist painters, including Picasso, Braque and others, use color to change their shades. First of all, they are interested in body. They decompose the shape of an objective object into abstract geometric shapes and use the shades of tones to achieve relief-like effects.

Expressionist painters like Munch try to restore spiritual content to their Big Modern & Contemporary Canvas Art . Their creative purpose is to use the form and means of color to express their inner spiritual experience.
Kandinsky believes that each color has its own proper performance function, so it is possible to create meaningful reality without drawing objects.

Color can express the essence of things through the enlightenment of the soul and the gestation of materials, and at the same time make emotions fierce impulse. Only after careful arrangement and in line with the artist's strong emotional color, it is the color of vitality.So the artist's talent can make insignificant subjects noble and precious. In fact, color is only a hint, so that they can induce the audience to possess things by hallucination. In this norm, the artist uses hints and hints to create his works to impress the audience's mind.

Color is power. It is the radiation energy that affects us positively or negatively, whether we perceive it or not. The effect of color should be understood not only visually, but also psychologically and symbolically.